Behringer XENYX X1222USB 16-Input USB Audio Mixer with Effects and Accessory Bun See more like this. The compact XENYX X1222USB mixer allows you to effortlessly achieve premium-quality sound. All mono channels get our ultra-musical 'British' 3-band EQs and easyto- use 'one-knob' compressors for the ultimate in punch and clarity. Premium 16-Input 2/2-Bus Mixer with XENYX Mic Preamps. USB/Audio Interface. In purchasing the BEHRINGER XENYX you have acquired a mixer whose. Behringer Xenyx X1222USB. Behringer Xenyx X1222USB. Xenyx X1222USB, FireWire/USB/mLan Mixer from Behringer in the Xenyx series. 4 user reviews.
The Xenyx range of analogue mixers offers improved sound quality and USB interfacing with computers, plus the extremely competitive pricing we've come to expect from Behringer. The Xenyx 2442FX is an updated version of Behringer's Eurorack UB2442FX mixer, offering improved mic preamps, and 'British' vintage-style EQ. Also included as part of the package is a self-powered, two-channel USB audio interface that can be connected to the Tape In/Out phonos for recording the stereo output from the desk and for stereo playback. This is a true four-buss console with a separate, dedicated stereo buss, so the group busses can be used as multitrack recording outputs at the same time as some of the stereo channels are used for multitrack return monitoring. There's also been a bit of a cosmetic overhaul too. The mic preamps in this console use the latest Behringer Xenyx circuitry, which is claimed to be an improvement over its predecessor, the Invisible-series preamp, while the EQ is now designed to recreate the vintage British EQ sound, by which I assume they mean things like the old Trident consoles from the 1970s. The overall frequency response of the mixer circuitry has been further extended, and is now within an impressive ±1dB from 10Hz up to 150kHz, and is only 3dB down at 200kHz.
The mixer still adheres to the 19-inch format, with included rack ears that can be bolted to the sides of the chassis if you need them. Also included in the box is the USB interface, which has a captive USB cable and four unbalanced phono connectors (two-in, two-out).
Behringer Xenyx Drivers
The layout of the mixer comprises eight mono mic/line input channels, two stereo input channels that can also double up as mono mic channels, and two line-only stereo input channels. This means that the maximum number of microphones that can be connected is 10, although that should be enough for most small band gigging situations, and certainly sufficient for the majority of home recording applications.
All eight mono channels have insert points and direct outputs, the latter being particularly useful for recording when you need more simultaneous feeds than the four buss outputs can provide. Each channel has routing buttons to send it to the main Left/Right mix buss and to the four groups, but if you want to record directly from a channel output without sending it anywhere else, you can achieve this simply by not routing the channel to either the busses or the main outputs. Conforming to the usual wedge-shaped profile, the mixer layout is absolutely identical to that of the UB2442FX, with the mic and line inputs, insert points and two-track phonos on the top panel, along with two headphone outlets and a 12V BNC connector for lighting power. To avoid overcrowding the top panel, the main and buss outs, the aux inputs and outputs, the direct outs and other connectors are on the rear panel. Both balanced jack and XLR versions of the main outputs are provided. Note that the four group outputs are doubled up onto eight output jacks so that you can leave an eight-track recorder or audio interface permanently connected; buss 1 feeds both sockets 1 and 5, 2 feeds 2 and 6, and so on, with the recorder then used to determine where the signal is actually recorded. A stereo TRS jack carries the output from the internal effects section and there's an effects bypass footswitch jack for use with an optional latching footswitch.
Behringer Xenyx X1222usb Usb Mixer With Effects Overview
Global 48 Volt phantom power can be applied across all the mic inputs via a rocker switch on the rear panel next to the power switch, and the PSU is internal so there are no wall-warts to tread on or to lose. The integral switched-mode power supply automatically adapts to any mains supply from 100 to 240V, at 50 or 60 Hz, without the need to switch voltages. The Xenyx 2442FX also incorporates a 24-bit digital effects processor, which I assume is based on their Virtualizer rack effects box, as it seems identical in architecture to the one used in the earlier incarnation of this console. It does come loaded with a different set of presets, however, which looks a bit more promising, as the original version had, in my opinion, too many effects that you'd never normally use and not enough sensible, bread-and-butter delays and reverbs. The effects section still offers just presets, with the 99 options covering reverbs, ambience, delay, modulation, pitch-shift and many useful combination effects based on delay plus one other effect. Free marlboro cigarette coupons. The delay has no tap-tempo button, which I find rather limiting, but you have to keep in mind that this is a very inexpensive mixing console and it still offers a lot more functionality than some of its more costly competitors.
The integral effects are fed from Aux 3 and come back into the mix via the Aux 3 return, but these send and return points are also available on the rear panel, if you wish to connect something else. There's also a stereo feed available from the effects processor output if you need it. In all, there are four sends: two switchable as a pair between pre- and post-fade, and two fixed as post-fade effects sends. All have stereo returns with both send and return level controls as well as the ability to solo the sends. A two-character blue LED display shows the number of the current effects patch, while the effects categories and their locations are printed below. The effects signal can be routed to either the main output or groups. In live situations, this routing button can also double as an effects kill switch as long as you're not using the busses for anything else.